Not too long ago I was at a friend's framing shop. I had stopped in to say hello and catch up, but seeing as she was busy, I told her I would come back another time. Needless to say, she asked me to stay, saying she'd only be a minute finishing up with a client that had come in from New York City to have some custom work done.
We all got chatting, and my friend mentioned that I was an author, and had been successful with recent book signings at a few local Barnes & Nobles. The look on the client's face was nothing short of incredulous. It wasn't because she had read my work and couldn't believe I had scored book signings at such a big chain, nor was it because I was a small pubbed author...it was because she couldn't believe I was an author at all. And her reason?
"But you look SO normal!
She simply couldn't wrap her head around the idea that someone with talent could walk around without being pierced, tattooed, or sporting mutli-colored neon hair.
"That's certainly not what we see walking around the city?" she said staring at me like I was some sort of anomoly. I half expected her to turn me round and ask me to open my mouth so she could examine my teeth.
I politely told her that while those things may very well be the "costume de rigueur" of people who consider themselves creative, true creativity lies in how one dresses the mind, not the body. And while fashion choices may be an outward show of a creative mind, it certainly ISN'T a pre-requisite for one.
Now I'm no stranger to the stranger types...I hold an MFA from the School of Visual Arts in Manhattan, and have my fair share of friends who choose to dress as such, but that doesn't automatically make them more creative or talented than anyone else. Sadly, in my opinion, it almost makes them cliché, a stereotype of just the thing they are trying to rage against.
For Romance Writer's the stereotype is even sadder. When most people think of us, it's usually the image of a lonely woman sitting in a bathrobe and fuzzy slippers, conjuring lovers and adventure in her imagination. In other words, one step away from being the neighborhood cat lady. If that description just made you go "eeewww", then you get it. Thankfully, for most of us that image is far from accurate, and the same goes for the people who read our work.
On one of the Amazon forums, a woman once described what we write as 'white noise', what she reads to dumb down her mind after a busy day. While I don't mind the idea of our genre being escapist, I do mind the stereotype that it's somehow less than, and to say that it's something one reads to "dumb down a mind' is insulting to those of us who work so hard at our craft.
Stereotypes are hurtful and wrong... especially when they bleed into your personal space.
Marianne Morea
All blogs are property of authors and copying is not permitted.
Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts
Tuesday, July 26, 2011
Friday, May 27, 2011
A taste of what if...
My blog is a bit late this month, and I apologize... I am still coming down off my high from this years Book Expo America. For those of you who aren't familiar with this book loving extravaganza, it's a four day gathering of all kinds of book industry professionals at New York City's famed Jacob Javits Center.
Everyone from authors, publishers and agents to book buyers, bloggers, reviews and every manner of distributor shows up for this annual event. Overwhelming to say the least.
In addition to this wealth of information and marketing, authors were given the opportunity to sign promotional copies of their books, and I was lucky to be counted among them. Unknowns rubbed elbows (almost literally) with the famous, as signing tables were set up in very close proximity due to spacing constraints. I myself was right next to Erica Jong, infamous for her 1970s title, "The Joy of Sex".
Climbing up on my chair, I glanced down the 30 foot aisle to the chain cordoning off the entrance to my row, holding my breath that I would be the one to personify the old saying, "you can't even give it away." BUT...much to my delight, I had a line out the door! People were actually waiting ahead of time for me to start signing.
Now, I know the books were free...I get it. But the only things these people had to spark their interest were the book's cover and its blurb, and believe me, there were many other books to choose from and lines to wait on, so I gotta believe they saw something good or why would they waste their time, right?
So, 75 signed copies of Hunter's Blood landed in the hands of reviewers, bloggers, libraries and book buyers in less than 20 minutes. It was a serious taste of what if, of the possibilities waiting out there for each and every one of us...and while it lasted, it felt great!
Miracle or just a free book feeding frenzy? To be honest, I don't really care. I could have been left alone with my pen, dragging all those books home with me. And maybe, just maybe, something good will come of it.
One can only pray.
Everyone from authors, publishers and agents to book buyers, bloggers, reviews and every manner of distributor shows up for this annual event. Overwhelming to say the least.
In addition to this wealth of information and marketing, authors were given the opportunity to sign promotional copies of their books, and I was lucky to be counted among them. Unknowns rubbed elbows (almost literally) with the famous, as signing tables were set up in very close proximity due to spacing constraints. I myself was right next to Erica Jong, infamous for her 1970s title, "The Joy of Sex".
Climbing up on my chair, I glanced down the 30 foot aisle to the chain cordoning off the entrance to my row, holding my breath that I would be the one to personify the old saying, "you can't even give it away." BUT...much to my delight, I had a line out the door! People were actually waiting ahead of time for me to start signing.
Now, I know the books were free...I get it. But the only things these people had to spark their interest were the book's cover and its blurb, and believe me, there were many other books to choose from and lines to wait on, so I gotta believe they saw something good or why would they waste their time, right?
So, 75 signed copies of Hunter's Blood landed in the hands of reviewers, bloggers, libraries and book buyers in less than 20 minutes. It was a serious taste of what if, of the possibilities waiting out there for each and every one of us...and while it lasted, it felt great!
Miracle or just a free book feeding frenzy? To be honest, I don't really care. I could have been left alone with my pen, dragging all those books home with me. And maybe, just maybe, something good will come of it.
One can only pray.
Monday, February 21, 2011
Where's the Beef? - Contrast in Writing
Drama is all about contrasts.
I thought about that when considering the fact that two weeks ago we had several inches of snow here in East Texas, and this past week spring has sprung. The daffodils are popping up all over in pastures and along the side of the roads, and people are tilling the soil for spring gardens.
Talk about extremes.
And maybe that is what works best in fiction.
I've never been much for extremes. I've always been a middle of the road kind of person and for the longest time I didn't realize how much that affected my writing. For instance, I have never been comfortable with anger or violence, so it has always been hard for me to let a character really go to an extreme.
That was first pointed out to me when I was writing a film script with a director in New York and there was a scene where two people had to get into a verbal fight. This was a pivotal scene in the couple's relationship, and I took them to the brink, but then backed them off. When I turned those pages over to the director, he looked at me and said, "You call this a fight?"
He then goaded me into a verbal sparring match, and when we were finished, he smiled and said, "Now that's a fight.."
I learned a lot working with that director. Whenever I would be pulling back in a scene, he would always ask me "Where's the beef?" That was my cue to ratchet it up a notch or two, or three, or four.
I hear his voice when I'm working now, but it still isn't easy for me to let those extremes happen. In my current work in progress, I have a scene where a killer attacks a young woman, and my first attempt to write it was... well, pathetic. So right after I plant my spring garden - which should have been in the ground already - I will go and find the beef.
What do you struggle with most in your writing?
I thought about that when considering the fact that two weeks ago we had several inches of snow here in East Texas, and this past week spring has sprung. The daffodils are popping up all over in pastures and along the side of the roads, and people are tilling the soil for spring gardens.
Talk about extremes.
And maybe that is what works best in fiction.
I've never been much for extremes. I've always been a middle of the road kind of person and for the longest time I didn't realize how much that affected my writing. For instance, I have never been comfortable with anger or violence, so it has always been hard for me to let a character really go to an extreme.
That was first pointed out to me when I was writing a film script with a director in New York and there was a scene where two people had to get into a verbal fight. This was a pivotal scene in the couple's relationship, and I took them to the brink, but then backed them off. When I turned those pages over to the director, he looked at me and said, "You call this a fight?"
He then goaded me into a verbal sparring match, and when we were finished, he smiled and said, "Now that's a fight.."
I learned a lot working with that director. Whenever I would be pulling back in a scene, he would always ask me "Where's the beef?" That was my cue to ratchet it up a notch or two, or three, or four.
I hear his voice when I'm working now, but it still isn't easy for me to let those extremes happen. In my current work in progress, I have a scene where a killer attacks a young woman, and my first attempt to write it was... well, pathetic. So right after I plant my spring garden - which should have been in the ground already - I will go and find the beef.
What do you struggle with most in your writing?
Sunday, November 21, 2010
The Birth of a Writer
At age ten I decided to be a writer. My friend and I were in our favorite reading spot, a small clearing in a wooded area with a blanket between us and a colony of ants. I hugged my just-finished book to my chest, watched wisps of clouds drift across the blue expanse of sky, and relived every precious moment of the story.
“I’d love to do this,” I said.
“What?” Karen continued to read and munch on a cookie.
“Write stories. Books.”
I watched for her reaction and it took about three seconds for the words to sink in. Then she closed her book and sat up. “Then let’s do it. We’ll be famous.”
Fueled by mutual enthusiasm we started putting words on paper in simplistic efforts to create our own essence of the books we loved so much. My fantasy was to write a story so wonderful it would inspire some future ten-year-old girl to spend an entire afternoon sprawled in a wooded hideaway savoring my book. Maybe she’d even decide to perpetuate the species.
We carried our dream through high school and into college, where we tried to adopt a Bohemian attitude that seemed fitting for “future famous writers.” I went to a boring Community College, but Karen went to Wayne State University in Detroit, a creative oasis inhabited by artists, dancers, musicians, and WRITERS. When I visited her, we’d put together some “appropriate” outfits and join a party where people loudly debated the merits of Joyce in one room and read original poetry in another. We were both so naïve, we had no idea that the blue haze hanging over these rooms was NOT from the incense.
What I didn’t know then, and took me too many years to learn, was that there’s nothing magical about establishing a writing career. I wasn’t going to become a better writer by absorbing that funky atmosphere. (Or the blue haze) No publisher was ever going to be there to discover me. And I’d never write a single thing if I didn’t stay home now and then and ratchet a piece of paper into my old Underwood manual.
Sure, there’s magic when the words just flow and you know these last ten pages are the best you’ve ever written. There’s magic when your characters start talking to each other and the lines zing. There’s even a bit of magic in finding that one word that says so perfectly what you’re trying to convey.
But there’s no magic on the business side of writing. Sometimes there's luck – being in the right place at the right time with the right project. More often, success comes after diligently studying the marketplace, editing and rewriting your book until you never want to look at a single word again. And then learning how to promote your work.
We who put pen to paper or fingertips to keyboard, do so out of a driving need to say something. Thoughts, ideas, opinions, feelings stir around inside us seeking expression. If we never make an investment of time and effort into the ‘business’ of writing, our expression will have a severely limited audience.
I may never be as famous as that long-ago dream envisioned. And I may never earn enough money to buy a country estate and wile away my golden years in obscene luxury. But I can take comfort and pride in the fact that I did, and still do, face that blank sheet of paper everyday and make myself put words on it.
And I’d like to think that Karen is doing the same thing. I lost track of her before I ever had the chance to tell her she was much better at it than I am.
-------------------
Maryann Miller is a freelance writer and editor and her next book, Open Season, is coming out in December from Five Star, Cengage/Gale. It is a police-procedural mystery. Her romance, Play It Again, Sam, is an e-book from Uncial Press.
“I’d love to do this,” I said.
“What?” Karen continued to read and munch on a cookie.
“Write stories. Books.”
I watched for her reaction and it took about three seconds for the words to sink in. Then she closed her book and sat up. “Then let’s do it. We’ll be famous.”
Fueled by mutual enthusiasm we started putting words on paper in simplistic efforts to create our own essence of the books we loved so much. My fantasy was to write a story so wonderful it would inspire some future ten-year-old girl to spend an entire afternoon sprawled in a wooded hideaway savoring my book. Maybe she’d even decide to perpetuate the species.
We carried our dream through high school and into college, where we tried to adopt a Bohemian attitude that seemed fitting for “future famous writers.” I went to a boring Community College, but Karen went to Wayne State University in Detroit, a creative oasis inhabited by artists, dancers, musicians, and WRITERS. When I visited her, we’d put together some “appropriate” outfits and join a party where people loudly debated the merits of Joyce in one room and read original poetry in another. We were both so naïve, we had no idea that the blue haze hanging over these rooms was NOT from the incense.
What I didn’t know then, and took me too many years to learn, was that there’s nothing magical about establishing a writing career. I wasn’t going to become a better writer by absorbing that funky atmosphere. (Or the blue haze) No publisher was ever going to be there to discover me. And I’d never write a single thing if I didn’t stay home now and then and ratchet a piece of paper into my old Underwood manual.
Sure, there’s magic when the words just flow and you know these last ten pages are the best you’ve ever written. There’s magic when your characters start talking to each other and the lines zing. There’s even a bit of magic in finding that one word that says so perfectly what you’re trying to convey.
But there’s no magic on the business side of writing. Sometimes there's luck – being in the right place at the right time with the right project. More often, success comes after diligently studying the marketplace, editing and rewriting your book until you never want to look at a single word again. And then learning how to promote your work.
We who put pen to paper or fingertips to keyboard, do so out of a driving need to say something. Thoughts, ideas, opinions, feelings stir around inside us seeking expression. If we never make an investment of time and effort into the ‘business’ of writing, our expression will have a severely limited audience.
I may never be as famous as that long-ago dream envisioned. And I may never earn enough money to buy a country estate and wile away my golden years in obscene luxury. But I can take comfort and pride in the fact that I did, and still do, face that blank sheet of paper everyday and make myself put words on it.
And I’d like to think that Karen is doing the same thing. I lost track of her before I ever had the chance to tell her she was much better at it than I am.
-------------------Maryann Miller is a freelance writer and editor and her next book, Open Season, is coming out in December from Five Star, Cengage/Gale. It is a police-procedural mystery. Her romance, Play It Again, Sam, is an e-book from Uncial Press.
Thursday, October 21, 2010
Hello from yet another Maryann...
One of the most fun things about this blog has been discovering all the variations of the spelling of Maryann. I think I am the only one with this spelling, which doesn't mean people have not tried to make it two words, or add an 'e' at the end. Most of the time I don't mind the liberties taken with the spelling, as long as my name is correct on my books and on my royalty checks.
For my introductory post I thought I would describe my workspace just a bit and tell you about some things that mean a lot to me.
I have an old Royal typewriter - vintage 1940 - that I bought when I discovered that I had to type manuscripts to submit short stories to magazines. Mind you, I did not buy the typewriter new, so I am not older than dirt. Just close. I bought it second hand from the drugstore where my boyfriend worked.
I had submitted a story, written out in my neatest handwriting and submitted it to Redbook Magazine. The editor there was kind enough to send it back - I didn't know about SASE's either - with a note that handwritten manuscripts were not accepted. So I bought the typewriter and got the story typed and resent, but they still didn't buy it. I really thought that was all it was going to take, so you can imagine my disappointment.
On the wall above the old typewriter, I have framed certificates from contests I have won, as well as a framed copy of the first check I earned for a short story that was published in a national magazine - not Redbook. This one was in Lady's Circle. I thought about framing the check itself, but my husband reminded me of how many groceries we could buy if I cashed it.
Just to the left of my computer monitor is a window, and I must say that can get quite distracting. We live out in the country, so all kinds of birds, bunnies, and other critters make their way through the yard. Of course, I must stop writing now and then to take a picture.
Above my monitor is an array of cards, cartoons and pictures that all have a special meaning. Some are cards I received congratulating me on a new book, others are special because of the pictures on them. I have a dear friend who is a sculptor and she sketches on small cards and sends them out to brighten someone's day.
I'm a horse lover, so I have one whole wall of my office covered with pictures and postcards of horses. I even have an emblem from an old Ford Mustang that I found on my property when I was hiking one day. It is up there with all the horses.
I work at a computer desk with a hutch to my right. The hutch is filled with knick knacks, the most prized ones being a collection of angels my husband has gifted me with over the years. The desk itself is a mess of papers, but I do kinda have some order to my disorder. Which works well until one of the cats decides the top of my desk is his or her favorite spot for today.
John, who started life with us as a kitten and was called Little John, no longer fits that moniker. He is the most frequent visitor to my office, usually when he wants to eat. He will jump up between me and the monitor screen, trying to make me stop. If that doesn't work, he will plop down on the desk and "accidentally" push a few things off. That's when I know it is time to quit and go feed the cats.
When I am not fighting with the cats for space, I work pretty much all day in my office, and I am glad it is big enough for me and all my mess, as well as the cats. I am Managing Editor of Winnsborotoday.com, an online community magazine. I blog regularly on my blog, It's Not All Gravy, and I am with a wonderful group of editors who do The Blood Red Pencil blog. We are doing a series this week on sex scenes and love scenes that is quite interesting.
And, oh, yes, now and then I work on a new book. LOL
For those of you who are dying to know more about me and my books, there is a lot of information on my Web site, and I have put the covers of two of my books up here; Play It again, Sam, and One Small Victory.
I am really thrilled to be part of this talented group of writers and look forward to getting to know them better, as well as all the romance fans out there.
For my introductory post I thought I would describe my workspace just a bit and tell you about some things that mean a lot to me.
I have an old Royal typewriter - vintage 1940 - that I bought when I discovered that I had to type manuscripts to submit short stories to magazines. Mind you, I did not buy the typewriter new, so I am not older than dirt. Just close. I bought it second hand from the drugstore where my boyfriend worked.
I had submitted a story, written out in my neatest handwriting and submitted it to Redbook Magazine. The editor there was kind enough to send it back - I didn't know about SASE's either - with a note that handwritten manuscripts were not accepted. So I bought the typewriter and got the story typed and resent, but they still didn't buy it. I really thought that was all it was going to take, so you can imagine my disappointment.
On the wall above the old typewriter, I have framed certificates from contests I have won, as well as a framed copy of the first check I earned for a short story that was published in a national magazine - not Redbook. This one was in Lady's Circle. I thought about framing the check itself, but my husband reminded me of how many groceries we could buy if I cashed it.
Just to the left of my computer monitor is a window, and I must say that can get quite distracting. We live out in the country, so all kinds of birds, bunnies, and other critters make their way through the yard. Of course, I must stop writing now and then to take a picture.
Above my monitor is an array of cards, cartoons and pictures that all have a special meaning. Some are cards I received congratulating me on a new book, others are special because of the pictures on them. I have a dear friend who is a sculptor and she sketches on small cards and sends them out to brighten someone's day.
I'm a horse lover, so I have one whole wall of my office covered with pictures and postcards of horses. I even have an emblem from an old Ford Mustang that I found on my property when I was hiking one day. It is up there with all the horses.
I work at a computer desk with a hutch to my right. The hutch is filled with knick knacks, the most prized ones being a collection of angels my husband has gifted me with over the years. The desk itself is a mess of papers, but I do kinda have some order to my disorder. Which works well until one of the cats decides the top of my desk is his or her favorite spot for today.
John, who started life with us as a kitten and was called Little John, no longer fits that moniker. He is the most frequent visitor to my office, usually when he wants to eat. He will jump up between me and the monitor screen, trying to make me stop. If that doesn't work, he will plop down on the desk and "accidentally" push a few things off. That's when I know it is time to quit and go feed the cats.
When I am not fighting with the cats for space, I work pretty much all day in my office, and I am glad it is big enough for me and all my mess, as well as the cats. I am Managing Editor of Winnsborotoday.com, an online community magazine. I blog regularly on my blog, It's Not All Gravy, and I am with a wonderful group of editors who do The Blood Red Pencil blog. We are doing a series this week on sex scenes and love scenes that is quite interesting.
And, oh, yes, now and then I work on a new book. LOL
For those of you who are dying to know more about me and my books, there is a lot of information on my Web site, and I have put the covers of two of my books up here; Play It again, Sam, and One Small Victory.
I am really thrilled to be part of this talented group of writers and look forward to getting to know them better, as well as all the romance fans out there.
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